/* ==========================================================================
   brutalist-web-theme / exposure layer
   --------------------------------------------------------------------------
   The half of this register a token file cannot hold. Tokens can say how
   thick a rule is. They cannot say that the grid is drawn instead of implied,
   that a table is left looking like a table, that the page carries a ticker,
   or that type is set at a size which stops being typography and starts being
   architecture. Those are structural decisions, and they live here.

   Every value here is a var() reference to tokens.css. There is not one color
   literal in this file.

   Requires tokens.css. Load it, then components.css, then this:

     <link rel="stylesheet" href="tokens/tokens.css" />
     <link rel="stylesheet" href="components/components.css" />
     <link rel="stylesheet" href="components/structure.css" />

   THE ANTI-POLISH RULES.

   Stated as rules, because a register defined only by what it looks like gets
   copied badly. Each of these is a refusal, and each refusal is a choice with
   a cost that was accepted rather than an effort that was skipped. That
   distinction is the whole difference between this register and an
   unfinished stylesheet.

   1. No radius. A rounded corner is a softening gesture aimed at the reader.
      The cost is that nothing here looks friendly. The token is zero rather
      than absent so the refusal is visible and editable.

   2. No shadow, and no elevation model at all. Depth asks the reader to
      believe in a room with a light source in it. This page is a surface with
      lines on it. The cost is that hierarchy has to be carried by rule
      weight, scale and inversion, which is harder and less forgiving.

   3. No transition. Duration is zero, declared rather than omitted. An eased
      hover is the interface performing responsiveness. The cost is that the
      page feels abrupt, and abrupt is the intended reading.

   4. No gradient, no tint, no translucency. Every fill is one flat value.
      The cost is a palette with nowhere to hide a weak hierarchy.

   5. Links keep the browser's colors and their underline. The cost is a blue
      that clashes with everything, which is the point: the reader never has
      to work out what is clickable.

   6. Structure stays visible. Grids are drawn, tables keep their rules, and
      seams between bands are lines rather than changes in whitespace.

   WHAT IS NOT REFUSED, AND WHY.

   Focus rings, 44px touch targets, measured contrast, real headings, and
   markup that works without JavaScript all stay. The register is hostile to
   the reader's expectations about polish. It is not hostile to readers who
   navigate by keyboard, tap with a thumb, or need the contrast to read at
   all. Dropping those does not make a page more brutalist; it makes it
   broken, and broken is a different thing that merely looks similar in a
   screenshot.
   ========================================================================== */

/* --------------------------------------------------------------------------
   DOCUMENT SCOPE
   Inside .bw-doc, an anchor carrying no class of its own gets the register's
   link treatment. Anchors that carry a class are left alone, so components
   keep their own behavior and this rule never has to be undone.
   -------------------------------------------------------------------------- */
.bw-doc {
  font-family: var(--bw-font-text);
  font-size: var(--bw-text-body);
  line-height: var(--bw-leading-text);
  color: var(--bw-ink);
}

.bw-doc a:not([class]) {
  color: var(--bw-link);
  text-decoration: underline;
  text-decoration-thickness: var(--bw-rule);
  text-underline-offset: 2px;
}

.bw-doc a:not([class]):visited {
  color: var(--bw-link-visited);
}

.bw-doc a:not([class]):hover {
  background: var(--bw-link);
  color: var(--bw-ground);
  text-decoration-color: var(--bw-ground);
}

.bw-doc a:not([class]):visited:hover {
  background: var(--bw-link-visited);
}

.bw-doc a:not([class]):focus-visible {
  outline: var(--bw-focus-width) solid var(--bw-focus-color);
  outline-offset: var(--bw-focus-offset);
}

/* --------------------------------------------------------------------------
   OVERSIZED TYPE
   The register's loudness is spent here rather than on color. Set flush, so
   the lines of a multi-line heading touch and read as a stacked block instead
   of as separate lines of text.
   -------------------------------------------------------------------------- */
.bw-mega,
.bw-display,
.bw-h1 {
  font-family: var(--bw-font-display);
  font-weight: var(--bw-weight-bold);
  letter-spacing: var(--bw-tracking-tight);
  text-transform: uppercase;
  margin: 0;
  /* A single unbroken word at 120px is wider than a phone. Breaking it is
     less bad than shipping a headline with its last characters offscreen. */
  overflow-wrap: break-word;
}

.bw-mega {
  font-size: var(--bw-text-mega);
  line-height: var(--bw-leading-flush);
}

.bw-display {
  font-size: var(--bw-text-display);
  line-height: var(--bw-leading-flush);
}

.bw-h1 {
  font-size: var(--bw-text-h1);
  line-height: var(--bw-leading-tight);
}

.bw-h2 {
  font-family: var(--bw-font-display);
  font-size: var(--bw-text-h2);
  font-weight: var(--bw-weight-bold);
  line-height: var(--bw-leading-tight);
  letter-spacing: var(--bw-tracking-tight);
  text-transform: uppercase;
  margin: 0;
  overflow-wrap: break-word;
}

/* A label set in mono and tracked out. The register's small voice. */
.bw-label-line {
  font-family: var(--bw-font-mono);
  font-size: var(--bw-text-xs);
  font-weight: var(--bw-weight-bold);
  letter-spacing: var(--bw-tracking-wide);
  text-transform: uppercase;
  color: var(--bw-ink-muted);
  margin: 0;
}

.bw-prose {
  font-family: var(--bw-font-text);
  font-size: var(--bw-text-body);
  line-height: var(--bw-leading-text);
  max-width: var(--bw-measure);
}

/* --------------------------------------------------------------------------
   BANDS, SEAMS AND FRAMES
   A band boundary is a rule. Not a change in background, not a gap: a line,
   at the heaviest weight, so the page reads as a set of stacked plates.
   -------------------------------------------------------------------------- */
.bw-band {
  border-top: var(--bw-rule-heavy) solid var(--bw-rule-color);
}

.bw-band-shade {
  background: var(--bw-shade);
}

/* The inverted band. Every rule inside it has to change color or it goes
   invisible against the ink, so the rule color token is redefined in scope
   rather than restated on each descendant. The muted and focus tokens are
   swapped for the same reason: on black, muted ink is 2.37:1 and the link
   blue used for focus is 2.23:1, and both fail. */
.bw-invert {
  background: var(--bw-ink);
  color: var(--bw-ground);
  --bw-rule-color: var(--bw-ground);
  --bw-ink-muted: var(--bw-ink-muted-inverse);
  --bw-focus-color: var(--bw-ground);
}

/* Order matters in this block. The base treatments come first and the
   variants override them, because every selector here is one class plus one
   descendant class and they all tie on specificity: whichever is written
   last wins. Put .bw-invert .bw-btn after .bw-invert .bw-btn-solid and the
   solid button silently stops inverting. */
.bw-invert .bw-card,
.bw-invert .bw-badge,
.bw-invert .bw-btn {
  background: var(--bw-ink);
  color: var(--bw-ground);
}

.bw-invert .bw-btn:hover:not(:disabled) {
  background: var(--bw-ground);
  color: var(--bw-ink);
}

.bw-invert .bw-badge-solid,
.bw-invert .bw-btn-solid {
  background: var(--bw-ground);
  color: var(--bw-ink);
}

.bw-invert .bw-btn-solid:hover:not(:disabled) {
  background: var(--bw-ink);
  color: var(--bw-ground);
}

/* The alarm keeps its color on a black band. It is the one loud value in the
   theme and the band is exactly where something being wrong still has to
   read as wrong. Ground text on the alarm fill is 5.66:1 either way, so the
   badge and button stay legible without changing the fill. */
.bw-invert .bw-badge-alarm,
.bw-invert .bw-btn-alarm {
  background: var(--bw-alarm);
  color: var(--bw-ground);
  border-color: var(--bw-alarm);
}

.bw-invert .bw-btn-alarm:hover:not(:disabled) {
  background: var(--bw-ground);
  color: var(--bw-alarm);
  border-color: var(--bw-ground);
}

/* The page frame. A hard border around the whole document, which is the
   oldest move in this register: the page announces it is a page. */
.bw-frame {
  border: var(--bw-rule-heavy) solid var(--bw-rule-color);
}

/* --------------------------------------------------------------------------
   THE EXPOSED GRID
   Most layouts imply a grid and hide it. This one draws it. The column lines
   are painted as a repeating gradient across the container, so they show
   through the empty tracks as well as the filled ones, which is the whole
   difference between a drawn grid and a set of bordered boxes.

   The stop positions are a twelfth of the container each, computed from the
   same token the track list uses, so the painted lines and the real columns
   cannot drift apart.
   -------------------------------------------------------------------------- */
.bw-grid {
  display: grid;
  grid-template-columns: repeat(var(--bw-grid-columns), minmax(0, 1fr));
  border: var(--bw-rule) solid var(--bw-rule-color);
}

.bw-grid-exposed {
  background-image: repeating-linear-gradient(
    to right,
    var(--bw-rule-color) 0,
    var(--bw-rule-color) var(--bw-rule-hair),
    transparent var(--bw-rule-hair),
    transparent calc(100% / var(--bw-grid-columns))
  );
}

.bw-grid > * {
  /* Cells carry their own padding rather than the grid carrying a gap. A gap
     would put a gutter between the drawn lines and the content sitting in
     them, and the alignment is the point of drawing the lines at all. */
  padding: var(--bw-space-4);
  min-width: 0;

  /* Opaque, so the painted ruler stops where content starts. Without this
     the twelve lines run behind the text and strike through it, which reads
     as a rendering fault rather than as exposed structure. The ruler is
     therefore visible exactly in the tracks nothing occupies, which is the
     useful half of drawing it: the grid shows you where it has room left. */
  background: var(--bw-ground);
}

/* The boundary between two occupied cells is drawn, since the ruler behind
   them is covered. */
.bw-grid > * + * {
  border-left: var(--bw-rule-hair) solid var(--bw-rule-color);
}

.bw-invert .bw-grid > * {
  background: var(--bw-ink);
}

/* Spans. Twelve divides by two, three, four and six, which is the reason the
   column count is twelve. */
.bw-span-2 { grid-column: span 2; }
.bw-span-3 { grid-column: span 3; }
.bw-span-4 { grid-column: span 4; }
.bw-span-6 { grid-column: span 6; }
.bw-span-8 { grid-column: span 8; }
.bw-span-12 { grid-column: span 12; }

/* Below the phone breakpoint a twelve-column grid is twelve columns of two
   characters each. Every span collapses to full width and the drawn lines
   retire with them, because a painted grid the content no longer follows is
   the off-grid drift this layer exists to prevent. */
@media (max-width: 767px) {
  .bw-grid {
    grid-template-columns: 1fr;
  }

  .bw-grid-exposed {
    background-image: none;
  }

  .bw-grid > * {
    grid-column: auto;
  }

  .bw-grid > * + * {
    border-top: var(--bw-rule-hair) solid var(--bw-rule-color);
  }
}

/* --------------------------------------------------------------------------
   RAW TABLE
   A table left looking like a table. Every cell edge is drawn, the header is
   inverted, and numbers are tabular so columns of figures line up on the
   decimal. Most design systems spend real effort making a table stop looking
   like one; this register treats the default as correct and invests in
   density instead.
   -------------------------------------------------------------------------- */
.bw-table-scroll {
  /* A dense table on a phone is wider than the phone. It scrolls inside its
     own box so the page never scrolls sideways. */
  overflow-x: auto;
  border: var(--bw-rule) solid var(--bw-rule-color);
}

.bw-table {
  width: 100%;
  /* Below this a five column table squeezes its prose column to about 200px,
     every such cell wraps to four lines, and the rows grow to 190px of
     mostly empty space. Scrolling the table sideways inside its own frame
     costs the reader one gesture; squeezing it costs them the shape of the
     data. Measured on the demo at 390px, where 640px was still too narrow to
     stop it. */
  min-width: 900px;
  border-collapse: collapse;
  font-family: var(--bw-font-mono);
  font-size: var(--bw-text-sm);
  /* Inherited rather than set to ink, so the same table works inside an
     inverted band. Declaring the color here makes the body text black on
     black in there, which is invisible and compiles perfectly. */
  color: inherit;
}

.bw-table caption {
  padding: var(--bw-space-3);
  font-family: var(--bw-font-mono);
  font-size: var(--bw-text-xs);
  font-weight: var(--bw-weight-bold);
  letter-spacing: var(--bw-tracking-wide);
  text-transform: uppercase;
  text-align: left;
  border-bottom: var(--bw-rule) solid var(--bw-rule-color);
}

.bw-table th,
.bw-table td {
  padding: var(--bw-space-2) var(--bw-space-3);
  border: var(--bw-rule-hair) solid var(--bw-rule-color);
  text-align: left;
  vertical-align: top;
}

.bw-table thead th {
  background: var(--bw-ink);
  color: var(--bw-ground);
  font-size: var(--bw-text-xs);
  letter-spacing: var(--bw-tracking-wide);
  text-transform: uppercase;
  white-space: nowrap;
}

.bw-table tbody tr:nth-child(even) {
  background: var(--bw-shade);
}

/* Row headers stay legible as headers without becoming a second inverted
   band running down the left of the table. */
.bw-table tbody th {
  font-weight: var(--bw-weight-bold);
  white-space: nowrap;
}

.bw-num {
  text-align: right;
  font-variant-numeric: tabular-nums;
}

.bw-invert .bw-table thead th {
  background: var(--bw-ground);
  color: var(--bw-ink);
}

.bw-invert .bw-table tbody tr:nth-child(even) {
  background: transparent;
}

/* --------------------------------------------------------------------------
   MARQUEE
   The one piece of motion the register owns. It is a ticker rather than an
   animation: long duration, constant speed, no easing, no entrance.

   The track is duplicated in the markup and the copy is aria-hidden, which is
   what makes the loop continuous without the content being announced twice.
   -------------------------------------------------------------------------- */
.bw-marquee {
  display: flex;
  overflow: hidden;
  background: var(--bw-ink);
  color: var(--bw-ground);
  border-top: var(--bw-rule) solid var(--bw-ink);
  border-bottom: var(--bw-rule) solid var(--bw-ink);
}

.bw-marquee-track {
  display: flex;
  flex: none;
  align-items: center;
  gap: var(--bw-space-8);
  padding: var(--bw-space-2) 0;
  padding-right: var(--bw-space-8);
  min-width: 100%;

  font-family: var(--bw-font-mono);
  font-size: var(--bw-text-sm);
  font-weight: var(--bw-weight-bold);
  letter-spacing: var(--bw-tracking-wide);
  text-transform: uppercase;
  white-space: nowrap;

  animation: bw-marquee var(--bw-marquee-duration) linear infinite;
}

@keyframes bw-marquee {
  from {
    transform: translateX(0);
  }
  to {
    transform: translateX(-100%);
  }
}

/* Reduced motion, handled honestly. The animation stops, and the content it
   was carrying stays on the page: the strip becomes a scrollable row rather
   than disappearing. Hiding the content along with the motion would be the
   easy version and it would cost the reader the information. The duplicate
   track goes, since its only job was to make the loop continuous. */
@media (prefers-reduced-motion: reduce) {
  .bw-marquee {
    overflow-x: auto;
  }

  .bw-marquee-track {
    animation: none;
  }

  .bw-marquee-track[aria-hidden="true"] {
    display: none;
  }
}

/* --------------------------------------------------------------------------
   CODE
   Preformatted text keeps its own frame and scrolls inside it.
   -------------------------------------------------------------------------- */
.bw-code {
  overflow-x: auto;
  margin: 0;
  padding: var(--bw-space-4);
  background: var(--bw-shade);
  border: var(--bw-rule) solid var(--bw-rule-color);
  font-family: var(--bw-font-mono);
  font-size: var(--bw-text-sm);
  line-height: var(--bw-leading-text);
}